|Release Date||27 September 2019|
|Record Label||Metal Blade|
Between relentless speed, over-the-top solos, and enough positivity to make even a reggae guy sick, let me come clean and say that I’m a huge DragonForce fan. After all, ‘Through the Fire and the Flames’ was the very first power metal song I ever heard. These guys are single-handedly responsible for planting the seed of undying love of power metal in my soul eleven years ago, as they did for many others, and I still crank out most of their albums on a regular basis. My favourites are the four albums from the ZP era, and I like their 2017 release, Reaching into Infinity, almost as much. The Power Within and Maximum Overload, however, were really hit-and-miss for me, but there are a few killer tracks from both. Fortunately, Extreme Power Metal is a hit for me and, despite having a few imperfections, it’s their best album since Ultra Beatdown.
One thing EPM does better than, well, every album up to Reaching into Infinity is variety. It has your typical, fast-paced power metal bangers like ‘Troopers of the Stars’ and ‘Cosmic Power of the Infinite Shred’, as well as a surplus of more commercial, poppy songs. There are a few songs that aren’t driven solely by spine-splitting speed, such ‘Remembrance Day’ and the excellent cover of Celine Dion’s ‘My Heart Will Go On’, but the intense dragon energy is never lost. There are also a lot of instrumental breaks that utilize strings, folk instruments, and the usual videogame SFX that are so characteristic of DragonForce. These video game themes run strong, with most of the songs having retro synth (or outright 8-bit) intros. Unsurprisingly, ‘The Last Dragonborn’ is the most videogame-fueled of them all, albeit more in content and less in sound.
Alongside their trademark speed/positivity/insanely-long-solos combo, there’s also a dose of 80s pop and glam metal influence (which, in all honesty, is far less pronounced than I expected it to be, based on the album cover). There are a lot of cheesy synth tones that highlight the melodies as well as straight-up hair metal choruses, especially in ‘Heart Demolition’ and ‘Strangers’. However, where bands like Beast in Black are full-out 80s melodic metal bands, DragonForce maintains their familiar modern sound while keeping the 80s stuff just at arms length, using it as the spice rather than the steak.
While I really enjoy EPM as a whole, I do have two favourite tracks. I really like ‘Troopers of the Stars’, especially the shredding bass in the intro, which is really cool. However, as is my way, ‘Heart Demolition’ has the most cheesy synths, so it makes it as my favourite song. Just kidding. Kind of. Well, it’s got more going for it than just the synths. It’s just a coincidence, OK?
Many metalheads have said (and will continue to say until the end of fucking time), “So they can play fast. Big deal,” but, to me, that’s just a lazy criticism. After all, couldn’t you criticize any band for having a schtick? Or even, how stupid would it sound if I said, “So you can play aggressively. Big deal,” about metal in general? Well, yeah, that isn’t entirely wrong, and that is a main attribute, but there’s so much more to it than that. If you don’t like it, that’s fine, but I don’t need that negativity in my life. DragonForce have released yet another excellent album in Extreme Power Metal, and there’s way more to it than just speed.
*Also, let me just say that I love this music video. It looks like it was made for Newgrounds. Remember when that website was a thing? Me neither.*
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