|Genre||Electronic “Folk” Metal/Dance|
|Release Date||23 August 2019|
|Record Label||Nuclear Blast|
Imagine yourself in a simpler time. A time, perhaps, where you’re me. June is almost over, and one of your favourite folk metal bands, Equilibrium, just released a new single to their upcoming album. ‘Renegades – A Lost Generation’ is super poppy, sure, but its sick riffage combined with its heavy electronic booming is enough to get me excited. A lot of fans are furious at such a preview, but not you. You dig bombast with a side of catchy. So, naturally, you spend the next two months eagerly anticipating Renegades in all its thumping, dancing, metal glory.
But then it comes. It knocks on the door of your heart as you download it and press play for the first time. Your friend, ‘A Lost Generation’ greets you, but he’s brought his friends this time. Except, these aren’t the kind of guys you want to hang out and party with. No, they’re not. They’re some sketchy fuckers, and not the type you’d expect ‘A Lost Generation’ to hang around, either. As they enter, they beat the living piss out of you. One by one. Every minute or so, one of them puts on a different face: a caring face, asking you if you need anything. But, before you can respond, they change right back, smacking whatever hopeful expression you had on your dumb, unfortunate, betrayed face, and continue pounding your stupid ass. Toward the end of this slaughter, though, another walks in. ‘Hype Train’ enters, wipes you off, kisses your forehead, and tells you it’s there for you. Just as you put your faith in her hands, though, it’s stripped off again by the final douchebag of the evening, who spits on your motionless body, leaving you sad and alone.
Fun ride, huh? That’s pretty well how I felt listening to it. Needless to say, Equilibrium have invoked all of my fury and then some, because this is some serious bullshit. I’m not gonna sit here and bitch about how Equilibrium aren’t folk metal anymore, because everybody was expecting it after their previous album especially. Renegades features almost no folk elements, save for some synth interludes or intros/outros, but even those are probably just coincidental, because they follow the same lines as a lot of popular EDM does. But, whatever. I’m over it. What I’m not over, however, is the fact that, despite such a capable lineup and clear ease of executing a solid mix of electronic/pop/heavy metal, Renegades manages to pump out almost nothing but uninspired garbage, except for two songs (which I mentioned before).
Let me break it down a bit. Rather than making something cool and catchy, Equilibrium have just put together an album full of EDM and radio pop tropes that are masked behind bombast and massively heavy guitars and vocals in an effort to hide their overdone, simplistic faces. But that won’t work on me. I see you, mediocrity. I fucking see you, and no amount of flare or weight can hide you. ‘Tornado’ and ‘Himmel und Feuer’ are fine examples of this, where, if you stripped off the thin metal exterior, you’d be left with nothing but some sorry kid on Soundcloud trying to be discovered.
But not all of the songs follow this formula. No, some of the songs are just outright lost causes. Take ‘Path of Destiny’ for example. Who in the god damn brought this Luke-Bryan-makes-an-Apple-commercial idea to the show? Not gonna fly here, no sir. Surprisingly, the best part is actually the rapping in the bridge, which I could handle if the rest of the song wasn’t nu country ass. ‘Johnny B’ also brings its fair share of disappointment in the vein of Owl City (remember them? People listened to them in 2012 for some reason). But these two don’t even hold a candle to ‘Kawaarki’. This reject from the emo/metalcore scene of the late 00s is so unworldly irritating that it actually burned all of the fingers off every pair of gloves in my house. Get this “rawr XD’ shit out of my house. It’s 2019 for Christ’s sake.
Now, in an effort to try to end this review on a more positive note, Renegades does have a few good things to offer. If I went to a party and it was playing, I could handle it. Also, like I mentioned, ‘A Lost Generation’ and ‘Hype Train’ kick all sorts of ass, and, if the rest of the album were more on that side of things, it’d’ve been everything I wanted it to be. Additionally, there are a few cool drum fills and riffs scattered throughout, but for the lengths you have to travel to find them, it’s just not worth it. Honestly, you should still check this album out. It’s unique, to say the least, and there’s such a variety of tracks that you’ll probably like something.
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