|Genre||Symphonic Power Metal|
|Release Date||23 August 2019|
Formed in 2014 by frontwoman Roberta Pappalardo and bass player Giuseppe Pappalardo, Astralium are fresh out of Italy: the land of symphonic metal. Land of Eternal Dreams is the band’s debut album, marking their official entrance onto the metal scene. Completing the band’s regular lineup are guitarist Emanuele Alessandro and Metatrone drummer Salvo Grasso, but there are also a handful of guest musicians, such as the ever-busy Tommy Johansson (Sabaton, Majestica), Andrea Martongelli (Arthemis), Jo Lombardo, Stefano “Ghigas” Calvagno, and Davide Bruno (who are/were all fellow Metatrone members alongside Grasso).
Needless to say, Astralium aren’t your typical, generic symphonic metal band. They manage to produce a bright, unique sound and, while some of their influences are vividly apparent at times (Nightwish, Amberian Dawn, and even Hans Zimmer), they do a great job at maintaining originality. The orchestrations are broad and epic, but they don’t overbear the guitars or vocals, which is a common mistake in the genre.
The strongest aspect of Land of Eternal Dreams is the songwriting. Each song is dynamic, expressive, and offers something new. Additionally, a variety of moods and time signatures are explored. We have ‘Whisper in the Silence’, which brings heavy intensity, a soft ballad in ‘Breath of My Soul’, the blast-beat aggression of ‘Seven Seas, Seven Winds’, and there’s even the cool vocal feature ‘Ethereal Voices from the Forest’, which sounds like, well, a bunch of ethereal voices from the forest. Although, while all of these tracks have a noticeable theme, they all feature a variety of different moods.
I do have a few clear favourites in Land of Eternal Dreams. ‘Whisper of the Silence’ has some awesome riffing and the drumming, which is fucking killer, doesn’t sit still for more than twenty seconds. The pulled back first verse is another great touch. I also really like the end section of ‘Seven Seas, Seven Winds’, which is like the soundtrack to an epic, bloody battle on the high seas. Finally, the closer, ‘Hidden Conspiracy’ sums up the entire album nicely. It’s an all-around sick track, covering every emotion that the rest of the album features with a surprising amount of detail for a song that isn’t even seven minutes long.
I really don’t have any issues with this album. It’s diverse, the playing is exquisite, and the arrangements are colourful. In a sea of forgettable symphonic metal acts, Land of Eternal Dreams rises as a stellar debut and keeps Astralium afloat.
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