|Release Date||31 May 2019|
If ever there was an album that I was full-out wrong about what to expect, it’d be Aftermath. The second solo album from Greek guitarist Constantine Kotzamanis, it initially appeared as though it was going to be another instrumental shred album, due to the first single, ‘Bushido’. Shortly after I heard it, though, I learned that it was actually going to be a feature album with various guest vocalists. That was no issue for me, though, because I knew that Constantine is more than just an excellent guitarist. I figured he’d write a cool, energetic album with tasteful guitar parts and everything would fall into place.
And that’s where I was wrong. Rather than a proggy metal album with sick grooves and powerful melodies at the forefront, we got a borderline alt-metal album that’s, in all honesty, pretty generic and straightforward. Despite working with the likes of ex-Firewind vocalist Apollo Papathanasio, Ralf Scheepers of Primal Fear, and Soilworks Bjorn Strid, Aftermath ends up being underwhelming and disappointing.
Aside from the phenomenal opener, ‘Bushido’, the guitars (and rhythm parts, for that matter) are actually quite tame. There are some fantastic solos, like the ones in ‘Hellfire Club’ and ‘Another Day’, and the band’s performances are okay, but there nothing that steals the show. The tracks are simplex and don’t have a whole lot of meat on them, and a couple were actually sappy to the point of annoying me.
Having been a fan of Constantine for some time, I feel as though he’s cheated himself in this one; by no means do I think he’s incapable of playing anything other than instrumentals, but I think the route he went with this album doesn’t complement his strengths in the slightest. Aftermath lacks the memorability, technical skill, and passion that Constantine displayed so easily in his debut.
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