|Release Date||11 Jan 2019|
Having had a fairly successful solo career and a handful of side projects, Danish guitarist Torben Enevoldsen has released a fifth addition to his solo project: 5.1. 5.1 is all instrumental, like the rest of Enevoldsen’s solo releases, and often sounds like he just ripped off Jeff Beck’s arms and used those (which is especially apparent in the funky ‘Say What’).
Guitar feature albums are always a difficult endeavour. Oftentimes the record ends up being nothing but a big guitar solo, with endless shredding and a lack of melody or tasteful phrasing. It’s also tough to strike a balance between the lead guitar and rhythm section; the guitarist could be the most talented musician on the planet, but, if the rhythm section is weak, it could kill the entire setup.
Enevoldsen’s playing is exquisite. His melodies are smooth and lively and his phrases flow like water. His playing style is far closer to jazz fusion than metal. On the flip-side, his fast, chugging solos would give many metal guitarists a run for their money. The balance of the guitar playing couldn’t be better.
One issue I have with the album, however, is the rhythm section in the first and last thirds of the album. In the first four tracks, there isn’t much going on besides the straight beat. There is a clear pickup in ‘Inside Out’ (which is also the most metal-sounding track on the album) that carries on through the next four songs and into ‘Hangar 84’. ‘Hangar 84’ is undoubtedly the best song on the album. The proggy staccato intro is remarkable and the rest of the song is full of energy from the entire band. The rhythm section then simmers back down in the final four tracks.
That may seem like a nitpicky complaint for a feature album, but for a release from an artist of such caliber as Torben Enevoldsen, I don’t think it’s too much to expect a bit more colour in the background.
The only other aspect I don’t like about 5.1 is that half the songs conclude by fading out. That drives me insane. I think it’s just lazy songwriting, but maybe I’m missing something. Write a damn ending; it won’t kill you.
It’s safe to say that Torben Enevoldsen’s 5.1 is a phenomenal display of guitar shredding. Despite it’s flaws, the album is quite enjoyable and will likely have you coming back for another taste.